Phila's Top 100 Hip-Hop Songs Of All Time
It wasn't easy, but 11 different people have created a list that
represents what "we" like to think are the Top 100 Hip-Hop Songs of
All-Time. Sure this list can be picked apart within seconds as every
other "best of" list, but our process was slightly complex, which
should allows this list to relate to the masses. Each contributor had
to provide a list of their 40 favorites, giving us a total of 440 songs
in our bank.
Then the other contributors
would allow 20 passes from that particular list to advance to the next
round. We all had to do this for everyone's list except our own.
We then gathered the selections and voted from the 220 song bank and
the results are below. Like I said, it wasn't easy agreeing and I'm
sure a few of us still aren't happy with some particular tracks ending
up on the final list; however as a whole we pretty much came together
like the Breakfast Club to deliver what we'd like to think is a damn
good list. Be sure to check out the individual "40 Favorite" link to
see what we each brought to the table.
So without further ado, I present to you Philaflava.com's Top 100 Hip-Hop Songs of All-Time.
1. Eric B. & Rakim - Paid In Full
Arguably
the most influential emcee of all-time, Rakim's lyricism took Kool Moe
Dee's new rap language to the Pyramids and back. Illustrating New York
street life during the mid 80's, Ra recounts the tale of a stick-up kid
turned Five Percenter on the search for righteous math. Lines like
"Maybe I might just search for a 9 to 5/ If i strive, then maybe I'll
stay alive" do much to describe the hopelessness many inner city youth
subscribed to regarding the low minimum wage and unimpressive job
prospects of the time. The beat is a fresh rework of Dennis Edwards
"Don't Look Any Further," arranged by Eric B. Well, apparently...
2. Geto Boys - My Minds Playing Tricks On Me
On
one of the most unlikely crossover hits in the history of modern music,
Scarface, Willie D and Bushwick Bill provide violent tales of paranoia
(creating what has become the quintessential song on the subject) over
an Isaac Hayes sample that the Geto Boys made sound eerie. The fact
that such a violent song was the group's sole pop hit speaks volumes to
the overall quality of the track's imagery and the mood that is created
as soon as Scarface finishes the first line of the intro. Bill's final
verse, coupled with a perfectly dark video, ensure that this song will
always be remembered come late October.
3. N.W.A. - Straight Outta Compton
The
album defined gangsta rap in 1989. It's influence would go on to
explode across the 90s through inspiration, biting and pop culture
parody. Receiving little to no airplay, its lead single "Straight Outta
Compton" sent word of mouth shockwaves across America from it's
epicenter at the Slauson Swapmeet. Ice Cube's dominant delivery was the
perfect match for Dr Dre's East Coast influenced guitar licks and vinyl
scratching. While not as chaotic as the Bomb Squad sound, Dre founded a
middle ground that would eventually birth a nation of g-funk. Hip-hop
would never be the same.
4. Pete Rock & C.L. Smooth - T.R.O.Y.
This
loving tribute to the memory of Heavy D.'s dancer and close friend
Trouble T-Roy is both bittersweet and uplifting without delving into
exploitative sentimentality. C.L. touches upon the issue at hand
briefly in the last verse but spends the rest of the song on a tour of
memory lane, documenting the people and places that figured prominently
in his eventful life. Pete Rock's production is positively beautiful,
an evocative street banger that sounds appropriately poignant for
funerals or class reunions, topped by the most memorable smooth jazz
horn sample of all time.
5. Nas - NY State of Mind
The
lead-off song from arguably the greatest hip-hop album of all-time
ranks also as one of the flagship cuts from the LP. Flowing flawlessly
over a DJ Premier juxed bassline, Nas personifies the gangster fantasy
navigating a post-Reaganomics ravaged Queensbridge, lucidly detailing
crackheads, stick-up kids and street corner drug deals. The eerie piano
notes serve as the perfect soundscape to his Goines-esque story of life
"in the P.J.'s, my blend tape plays, bullets are strays/ Young bitches
is grazed each block is like a maze." This despairing enviroment and
struggle for survival is exemplified best with one of Nas' most
critically acclaimed quotables: "I never sleep, cause sleep is the
cousin of death."
6. Wu-Tang Clan - Protect Ya Neck
7. A Tribe Called Quest - Scenario (Remix) feat. L.O.N.S. & Kid Hood
8. Boogie Down Productions - My Philosophy
9. Nas - Halftime
10. Public Enemy - Shut Em' Down (Pete Rock Remix)
A
lot of MCs try to wax political, but there's a very thin line between
inspiring the masses for change and alienating them with tireless
rhetoric. Chuck's no sucker; he knows that knowledge is best received
when it's accompanied by a great chorus and slammin beats. Shut ‘Em
Down's no exception. The rhyme rebel's booming anti-corporate verses
were the focus, but Pete Rock's production smoothed out listeners who
were taken aback by the Bomb Squad's raucous blitzkrieg and the chorus
helped grab the picket line, the ball court, and the street.
11. Gang Starr - Mass Appeal
Gang
Star were real assholes when you think about it. On Mass Appeal, Guru
crushes fake emcees, chastises them for selling out, relentlessly snubs
the entire music industry and calmly explains why he's so much better
than you. Meanwhile Premo cuts up an obscure Swedish pop record into a
rough and ready jam, causing many a sleepless night among crate
diggers. All player hating aside however, the secret to Gang Starr was
that no matter how misanthropic, they always found a way to make their
all-business strictly-hardcore lifestyle appealing to kids who'd
usually be wilding out. As Hiphop headed towards excess, their approach
on this single seemed all the more singular.
12. Wu-Tang Clan - C.R.E.A.M.
13. Ultramagnetic MC's - Ego Trippin'
14. Big Daddy Kane - Raw
15. RUN-DMC - King of Rock
16. LL Cool J - I'm Bad
17. Gang Starr - DWYCK feat. Nice & Smooth
It
doesn't get much simpler than this classic. To this day the jury is out
on the meaning of the acronym. Whether or not DWYCK stands "Do What You
Can Kid" is irrelevant as the current popularity of lemonade, because
the song is a timeless classic and a certified party anthem. The lyrics
may be elementary, but that doesn't stop any of us from yelling out
"Lemonade was a popular drink and in still is, I get more props and
stunts then Bruce Willis" everytime Guru spit s. In 2006, Bruce may not
get the props, but this song certainly does.
18. Slick Rick - Children's Story
The
first most surreal moment for me as a hip-hop fan arrived when I picked
up and read Poetry Out Loud, a compilation I had in my collection,
containing literature's greatest oral presentations. Whitman, Plath,
Hughes, Slick Rick....wait, what? Yes, you read right: one of the first
poems in the book just so happens to be "Children's Story", complete
with bio and analysis on the sides of the page. The inclusion came as a
surprise to me, and ushered in my new appreciation for Rick the Ruler.
Simply put, he is a master storyteller, a category that half the
rappers on this entire list cannot contest. KRS may be the teacher, and
Chuck D may be a revolutionary, but Slick Rick really was the true
poet. This song is perfect from start to finish.
19. Mobb Deep - Shook Ones Pt. 2
20. Souls of Mischief -'93 Til Infinity
Though
young in their years at the time, the Souls of Mischief managed to
construct a perfect example of carefree music to make heads nod without
the pretentious fluff. "93 Til Infinity" shouldn't be timeless due to
the dated title, but thanks to A-Plus's mesmerizing production, there
is a sheer timelessness which cannot be contested. Instead of
reminiscing over ones lost, or enstilling fear in the heart of the
listener, the Souls of Mischief were all about looking forward
21. O.C. - Time's Up
22. Nas - Memory Lane
A
truly standout track on one of the most quintessential records in music
history. Over a mesmerizing DJ Premier track which samples "We're In
Love" by Reuben Wilson, Nas first verse displays the most lucid lyrical
performance ever in depicting the misery of street life; from seeing
his best friend murdered over a "Sheep Coat" to crooked police officers
arresting young minorities to meet their quota. While the second verse
is not only the most potent demostration of lyricism ever heard on a
rap record, it also was the rhyme that made Big Punisher (Another
legendary MC) want to begin writing rhymes and following in the foot
steps of one of his musical idols. The song ends with Primo immaculate
scratches of Craig G's 'Droppin Science" and Biz Markie's "Picking
Boogers", leaving us one of the most influential and perhaps the only
flawless record ever created in this genre.
23. The Notorious B.I.G. - Machine Gun Funk
The
Notorious B.I.G. wasn't a very politically conscience MC. Moreover, he
wasn't one to be too concerned with the plight of society as much as he
was with being the reason for the street's corruptive nature (Drugs,
Guns, Violence) while explaining his personal philosophies on why life
is "Fucked up' in unparralled descriptive detail. Machine Gun Funk
gives us a perfect glimpse into Biggie's Smalls view of life and the
streets over an incrediblely groovy record produced by Easy Moe Bee.
Biggie lays some of the most braggadocious rhymes while intricately
weaving in humor and still maintaining his hardcore persona ("Just
cause I joke and smoke a lot/Don't mean I don't tote the glock") with
an unmistakable voice and flow that is hypnotic. No, Biggie Smalls
Machine Gun Funk isn't a fluffy, emotional record you'd find your
milquetoast-like crowds bumping. It's a funky and yet a hardcore
showing of what great lyricism matched up perfectly with a dope beat
can produce to the musical world.
24. Main Source - Looking At The Front Door
25. Kool G. Rap - Ill Street Blues
26. A Tribe Called Quest - Scenario feat. L.O.N.S
Growing
up, this was the track that all of my friends and I worked hard to
memorize the entirety of. It might have been the first rap I ever
learned, come to think of it. There are so many timeless lines in here
that it deserves its own Top 10. The irony I always noticed was how
Q-Tip really took a back seat to the rest of the emcees on the track,
as his verse was nothing short of run of the mill, while L.O.N.S. and
Phife managed to tear shit apart. Imagine what would have happened if
he decided to overshadow his fellow contributers.
27. The D.O.C. - Funky Enough
28. Ice Cube - My Summer Vacation
29. Brand Nubian - Slow Down
30. Boogie Down Productions - The Bridge Is Over
Fuck
what you think. This is the quintessential diss song made by the
Blastmaster himself where he puts the whole Juice Crew on blast,
especiallly MC Shan for calling Queens the birthplace of Hip-hop. Well
Kris Parker was not having that and decided (with the help of Scott
LaRock) to crush a whole borough with 2 verses.
31. Doug E. Fresh & Slick Rick - Lodi Dodi
32. Schoolly D - PSK, What Does It Mean?
33. Raekwon - Verbal Intercourse feat. Ghostface Killah & Nas
34. The Juice Crew - The Symphony
35. Black Moon - Who Got The Props?
36. Goodie Mob - Cell Therapy
Very
few songs capture the feelings of despair and entrapment felt everyday
by the ghetto youth of America like Cell Therapy. Before Cee-Lo hired a
financial analyst with an eye for the Gap's marketing plan he was using
his formerly trademarked sing-song flow to describe the willful
segregation of the New World Order over a haunting Organized Noize
production. This song embodies the Goodie Mob's identity at the time;
angry, articulate and most importantly unafraid to buck the conventions
of what Southern hiphop was supposed to sound like.
37. Eric B. & Rakim - Know The Ledge
38. Mobb Deep - Survival of The Fittest
Darwin
wouldn't have approved of a sickle-cell having midget appropriating his
well known phrase. But that's okay with Prodigy, he could give a fuck,
and in this song he makes that clear. P's grimy gothic narrative is one
of the best street verses of all time, but one line from Havoc, a
fellow traveler through Hell on Earth, succinctly sums up why Mobb Deep
were heralded by duns and backpackers: “No matter how much loot I get,
I'm staying in the projects…forever!”
39. LL Cool J - Rock The Bells
40. Cypress Hill - How I Could Just Kill A Man
While
MTV was quick to paint Cypress Hill as LA gangster rappers in the vein
of Compton's Most Wanted and NWA, their first hit was nothing if not a
hardcore battle record. Drawing on their gang experience, B-Real and
Sen Dog deliver over the top threats to nameless enemies, the cops and
any suckas willing to stand in their way. By the time they're through,
the entire Cypress Hill mission has been stated: smoke weed, take out
punks and fuck up the police. Meanwhile, using the Bomb Squad's noise,
Marley Marl's drums and a stoner's record collection as inspiration, DJ
Muggs set a new benchmark in rap production, merging Hiphop's funk
contingent with its harder wall-of-sound adherents.
41. Public Enemy - Fight The Power
This
wasn't just a song off the soundtrack from "Do The Right Thing"(It
appeared 15 times in the film) but the anthem of 1989. Chuck D drops
knowledge over Hank Shocklee's endless barrage of soul and funk
samples, especially this controversial dandy--"Elvis was a hero to
most/ But he never meant shit to me you see/ Straight up racist that
sucker was/ simple and plain/ Motherfuck him and John Wayne/ Cause I'm
Black and I'm proud."
42. Big Daddy Kane - Ain't No Half-Steppin'
43. Eric B. & Rakim - I Know You Got Soul
44. Jay-Z - Dead Presidents (Original)
45. RUN-DMC - Sucker MC's
46. De La Soul - Stakes Is High
“His
mind got congested, he got the 9 and blew it/Neighborhoods are now
hoods cause nobody's neighbors/Just animals surviving with that animal
behavior of the I/ Who be rhyming to dark to light sky/Experiments when
needles and skin connect, No wonder where we live is called the
projects!” Still don't think Posdnous is a top 10 MC?
This verse,
combined with Dave's run-on diatribe against the tired trappings of
mainstream rap and one of Jay-Dee's best beats, made every “conscious”
track since seem inconsequential.
47. Common Sense - I Used To Love H.E.R
48. Ice Cube - Bird In The Hand
The
power within this song's message is just as relevant today as it was in
1991. With A Bird In The Hand, Ice Cube delivers a short but sweet
socioeconomic rant that extoles the benefits of slangin birds over Big
Macs. Backed by a brand of hard drums that went missing sometime around
99 and a BB King sample, Ice Cube weighs the pros and cons of a legit
life, concluding that taxes are for chumps. The streetlife is a double
edged sword for Cube though, as selling crack will buy his baby similac
but in the government's eyes Mr. Jackson was only cool while filling
out a W-2. It is an idea that most everyone in hiphop today tries to
sell in some way or another but lack the power to articulate. 15 years
later, a bird in the hand may still be worth more than a Bush.
49. Jeru The Damaja - Come Clean
Jeru
utilizes his unusual but highly original off beat flow and no-nonsense
lyrics to dare fake gangstas, presumably from points out West, to
venture to the jungles of the East and face a critical beatdown. All
the while he emphasizes that a truly noble battle is one where musical
talent, not street cred, ultimately reign supreme. It's a potentially
hypocritical move, but DJ Premier's unforgettable Chinese Water
Torture-esque sample and TNT-packed drums drive the point home clearly:
“leave your nines at home and bring your skills to the battle.”
50. Ras Kass - Soul On Ice (Remix)
51. Nas - Represent
52. Redman - Tonight's The Night
53. Ghostface Killah - Daytona 500
54. The Notorious B.I.G. - Kick In The Door
While
parts of Life After Death alluded towards greater pop inspirations,
"Kick In The Door" was Big's declaration that he was still a grimey
motherfucker and also functioned as his triumphant coronation as The
King of New York. It's never been made completely clear who the
specific target of Big's assualt was - Nas or Jeru or the Wu or if he
was just carpetbombing all of the above - and this ambiguity only adds
to the tracks appeal.
55. A Tribe Called Quest - Check The Rhime
56. Biz Markie - Make The Music With Your Mouth, Biz
Make
The Music with Your Mouth Biz re-imagines the original school rap
routine as a dusted, gutter party record. Featuring some of the hardest
drum programming and beat boxing ever put to tape, Marley Marl strips
the production down to near-distorted percussion and a classic Isaac
Hayes piano loop while Biz Markie and TJ Swan trade echo drenched
lyrics to get the crowd pumped. Biz's best moment is the definitive
document of the 88 party scene, blending "having fun" with a beat so
hard it still knocks nearly 20 years later.
57. Nas - The Message
58. Showbiz & A.G. - Soul Clap
59. Raekwon - Incarcerated Scarfaces
60. Intelligent Hoodlum aka Tragedy - Grand Groove (Remix)
While
Pete Rock and C.L. Smooth's “T.R.O.Y.” is probably true school rap's
most famous elegy, “Grand Groove” is quite possibly the most moving.
Queensbridge's original rap prodigy puts aside all tough talk and
shoots straight from the heart, paying humble poetic tribute to
deceased friends and relatives. K-Def's slept-on production is
typically flawless in this instance, as his simple yet powerful beat
closely follows Tragedy's affecting verses, with a beautifully aching
vocal sample capturing the pain, catharsis and eventual serenity felt
in the wake of loss.
61. Jay-Z - D'Evils
62. OutKast - Player's Ball
Songs
like Player's Ball serve as a painful reminder of how spectacularly
talented Andre 3000 is. Big Boi had yet to come into his own at this
point in Outkast's development, but Andre's first verse is a ridiculous
display of cadance as he ingeniously weaves Christmas references into
an arrogant tale of his ghetto rep. Hopefully Outkast gets a chance to
bookend their career with a final single that is as equally impressive
as their first, but sadly, it looks like Andre is intent on continuing
to hold his elite rhyme skills hostage in an effort to torture his
long-time fans.
63. Crooklyn Dodgers - Return of The Crooklyn Dodgers
64. Black Moon - I Gotcha Opin (Remix)
Coming
out with a rowdy, bass heavy sound that set the stage for Wu-Tang, Mobb
Deep and the entire borough of Brooklyn, few expected Black Moon to do
a 180 and come with a whole new style on their remix to I Got cha Open.
That's exactly what they did however, looping a classic Barry White
sample into the blueprint for Biggie and Jay-Z's smooth playalistic
personas. Buckshot's singsong flow meanwhile inspired more than a few
future emcees that'd benefit from the pop-ready approach. It's the
lyrics that separate the track from a dozen jiggy throwaways however:
Buckshot narrates an average day in the hood with such detail and
finesse that even the most suburban listener could feel the BK energy
on wax.
65. Kool G. Rap - On The Run (Trackmasterz Remix)
66. Brand Nubian - Wake Up (Reprise In the Sunshine)
Grand
Puba is renowned to this day for the spectacular vocals and witty
rhymes he displayed on Brand Nubian's debut LP One For All. While the
ladies were attracted to his mack game and the fellas dug his clever
wordplay, those in the know respected the fact that Puba was just as
able to communicate a bold political stance. Quoting liberally from the
Actual Facts, Student Enrollment, Lost-Found Muslim Lessons, and
English C Lesson of the Nation of Gods and Earths (5%ers), Puba
solidifies his place in history and delivers a message of uplift and
optimism over the SD50s' brilliant assemblage of samples, including
most famously a lovely flip of Roy Ayers' “In The Sunshine.”
67. GZA - 4th Chamber
68. Special Ed - I Got It Made
69. Audio Two - Top Billin'
70. EPMD - Headbanger feat. Redman & K-Solo
71. Nas - It Ain't Hard To Tell
72. Smif n Wessun - Bucktown
73. Too $hort - Freaky Tales
Originally
conceived as an ode to the 75 girls that were his then label's
namesake, Sir Todd Shaw spends ten minutes running down some thirty-odd
sexual conquests by name. As you'd expect, much hilarity ensues. But
what the track really gets by on is it's bassline, which, in the words
of KMEL radio personality turned MTV veejay Sway, can only be described
as Siineester.
74. Boogie Down Productions - Still #1
75. X-Clan - Grand Verbalizer, What Time Is It?
76. Fab 5 - Leflaur Leflah Eshkoshka
77. Black Moon - Buck 'Em Down (Remix)
78. Bone Thugs N Harmony - Thuggish Ruggish Bone
Many
remember Krayzie, Layzie, Wish, and Bizzy because of songs like "First
of The Month" and "The Crossroads" but neither song exemplified the
gangsta rap group better then their first single, "Thuggish Ruggish
Bone" off their debut EP "Creeping Up Ah Come up". DJ U-neek lays down
a beat that was heavily influenced by the west coast (which was
dominating the airwaves at the time) for BTNH to lay down their rapid
fire raps over with Bizzy Bone playing the anchor and killing it at the
end.
79. Wu-Tang Clan - Triumph
80. The Pharcyde - Runnin'
The
same appreciation the Pharcyde got for waxing serious tones on "Passin
Me By" off their classic debut returned on "Runnin" off their lesser
appreciated follow-up. Thanks to a relative up and comer by the name of
Jay Dee (he produced a third of the album's tracks), the song's somber
lyrical tone is complimented by a lush Joćo Gilberto guitar sample.
"Runnin" is a classic, no thanks to The Pharcyde by themselves, but due
to the excellent production they recieved. It's a collective effort
from all parties.
81. Snoop Doggy Dogg - Ain't No Fun
In
the history of Hip Hop, there probably isn't a song that objectifies
women more then this joint. However, being at a few parties in my
heyday (believe it or not), I don't think most women really care. This
song is waaaaaay too funky to deny. Kurrupt drops quite possibly a
classic verse in which the amount of times he uses the term "bitch" or
words that are similar in definition goes beyond the double digit mark.
Plus with Nate Dogg on the hook, you know you got a hit.
82. Eazy-Z - Boys In The Hood (Remix)
83. Showbiz & A.G. - Runaway Slave
84. The Luniz - I Got 5 On It
Yukmouth
and Knumskull are more than adequate as emcees, but the real appeal of
I Got 5 On It lies in Tone Capone's classic production and the
incredibly catchy Michael Marshall chorus. The thumping bassline and
eerie keyboard chimes create the perfect laid-back atmosphere for Yuk
and Knum to craft an instantly recognizable anthem for stingy weed
smokers across the nation.
85. Spoonie Gee and The Treacherous Three - New Rap Language
86. A Tribe Called Quest - Jazz (We've Got)
87. GZA - Shadowboxin' feat. Method Man
88. X-Clan - Fire & Earth
89. UMC's - One To Grow On
90. Edo G. - I Gotta Have It
91. T-La Rock and Jazzy Jay - It's Yours
Driven
by Rick Rubin's proto-bass 808 massacre, T-La turns a typical
braggadocios rap into a cosmic ode to soundwaves and simultaneously
births LL Cool's style. Commentating / Illustrating / Description
giving adjective expert. It may sound simple compared to the verbal
linguistics of some of todays rappers, but at the time it was surely
some futuristic shit. Arguably the first super scientifical rap record
and probably the only one that also rattles trunks. And it's the first
rap record with the Def Jam logo on it.
92. Showbiz & A.G. - The Next Level (Remix)
93. Lords of The Underground - Chief Rocka
94. Orgnaized Konfusion - Stress (REMIX) feat. Large Professor
95. AZ - Rather Unique
96. Ghostface - Mighty Healthy
Over
haunting chimes and a classic break beat, the artist formally known as
Ghostface Killah defiantly planted his idiosyncratic flag in hip-hop's
stale pre-millennium landscape with Mighty Healthy, the first song
released off of Supreme Clientele. Ghost resurrected his clan,
according to some fair weather fans, starting with one long stream of
conscious verse that sounded like what hip-hop must have sounded like
when it came onto the scene, albeit in an alternate universe where one
could have crazy visions. “We lay low, glitter wax, full
bangles/Priceless ropes, lay around the God get tangled!/Wooly hair,
eyes fiery red, feet made of brass/Twelve men following me, it be the
God's staff.”
97. Group Home - Livin' Proof
98. Outkast - Wheelz of Steel
99. The Roots - Clones
100. Organized Konfusion - Releashing Hypnotical Gases
The
Southside, Jamaica Queens duo's self-titled 1991 debut was an ambitious
if uneven blend of D.A.I.S.Y. age whimsy and '87-era scientifical
wordiness. “Hypnotical Gases” covers all of those grounds and then
some: Monch and Po drop militaristic imagery and comic book allusions
while showing skills mostly unmatched in any era. It doesn't hurt that
the music is a funky, mystical-magical masterpiece, every bit as hard
and complicated as the rhyming itself.
Contributors: Jason Gloss, Blastmaster, Gregg Popabitch, Magneto, Funk
Docta Bombay , SYMantiks, Icesickle, clark bent, Req,
multsanta & Paragraph President (Thun). |
